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THE CONFEDERATE GENERAL RIDES NORTH

Mute the cute and this coulda been a contender, a history lesson about Southern identity. But as it is, the sugar shock is...

Corny, platitudinous and improbable coming-of-age tale about a Civil War–obsessed preteen.

Kat’s a scrapper, a brainiac, an 11-year-old tomboy straight out of an after-school TV special. Daddy’s a beer-swilling homebuilder given to rages about Mother’s cooking (“dried-up hamburgers and pissy peas”). Mom’s a mildly bohemian Southern belle, blonde beauty and abstract painter. And Gable’s a debut novelist who might better consider a YA readership. Seeking refuge from present dysfunction, Kat romances the past. She’s sure every Johnny Reb wore a halo, including her kinfolk wounded at Gettysburg or carrying mail through Yankee lines. Mom plots escape: hitting the interstate, Georgia to Maine, the Impala speeding and Aretha wailing, with Kat by her side. Her daughter is thrilled. Let Mom fantasize a future selling antiques to chowderheads; Kat will see history close-up, detouring at Civil War battlefields. An endless odyssey, their trip flashbacks to every last detail of Kat’s quotidian childhood (menus, school days, falling out of a tree) while she pores over the Golden Book of the Civil War and masters trivia (the size of Stonewall Jackson’s horse, the baffling mystique of the Monitor and Merrimac). It’s 1968, however, and reality dares intrude. With both Dr. King and RFK killed, the headlines are alarming enough to rouse even Kat from her reverie. Glutted with Dixie memorabilia and groggy with tales of Lost Cause glory, she finally wakes up while touring Gettysburg. There she comes upon a fellow fanatic, an unreconstructed racist whose nostalgia for 1865 carnage is a little too loopy even for Kat, and realizes that the slavery-era South wasn’t Eden and war is bad. Gable’s earnestness is almost redeeming, but, my, does her story creep along.

Mute the cute and this coulda been a contender, a history lesson about Southern identity. But as it is, the sugar shock is nearly toxic.

Pub Date: Aug. 1, 2009

ISBN: 978-1-4165-9839-8

Page Count: 304

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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