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CLOSE YOUR EYES

A captivating story of loss, forgiveness and ultimate redemption.

Lauren Mahdian believes her father "ruined everything, everything, everything" in Ward’s (Sleep Toward Heaven, 2004, etc.) literary novel.

Lauren is just past 30, lives in trendy Austin, Texas, with her boyfriend, works as a real-estate agent and has one anchor in her somewhat neurotic life, her older brother, Alex. Lauren’s certain her father killed her mother, a murder that occurred when Lauren was eight and the family lived in New York. Alex, even though believing their father innocent, has been her pillar of emotional support throughout their life with maternal grandparents, through college and beyond. Their father, Izaan Mahdian, was an Egyptian immigrant, a writer, but a man whose Jewish-American wife, Jordan, was the family breadwinner. In the afterglow of a party, Jordan was killed by a blow to the head. Izaan was convicted of her murder and has spent two decades in prison. Lauren's logic, and a shadowy memory, tells her Izaan is guilty, but her heart constantly reminds her that belief is counter to all that she knew and loved about her parents. The novel opens with Alex leaving for Baghdad to serve with Doctors without Borders. Alex is soon declared missing after a car bombing, pushing Lauren further toward collapse. The story grows more complicated when, in Book Two of the novel's five, Sylvia Hall leaves her boyfriend at a Colorado ski resort and heads to her childhood home in New York City. Sylvia is 41 and pregnant, and she is linked to Lauren in a manner which Lauren cannot comprehend. Lauren is a realistic, sympathetic protagonist. Her relationship with her boyfriend and Sylvia's relationship with hers eerily mirrors the relationship of Izaan and Jordan, but that remains symbolic rather than fully explored. Ward writes familiarly of Austin, and of New York City, and her writing, laced with literary prose, moves the narrative forward believably.

A captivating story of loss, forgiveness and ultimate redemption.

Pub Date: July 26, 2011

ISBN: 978-0-345-49448-1

Page Count: 272

Publisher: Random House

Review Posted Online: June 6, 2011

Kirkus Reviews Issue: June 15, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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