A captivating story of loss, forgiveness and ultimate redemption.
Lauren Mahdian believes her father "ruined everything, everything, everything" in Ward’s (Sleep Toward Heaven, 2004, etc.) literary novel.
Lauren is just past 30, lives in trendy Austin, Texas, with her boyfriend, works as a real-estate agent and has one anchor in her somewhat neurotic life, her older brother, Alex. Lauren’s certain her father killed her mother, a murder that occurred when Lauren was eight and the family lived in New York. Alex, even though believing their father innocent, has been her pillar of emotional support throughout their life with maternal grandparents, through college and beyond. Their father, Izaan Mahdian, was an Egyptian immigrant, a writer, but a man whose Jewish-American wife, Jordan, was the family breadwinner. In the afterglow of a party, Jordan was killed by a blow to the head. Izaan was convicted of her murder and has spent two decades in prison. Lauren's logic, and a shadowy memory, tells her Izaan is guilty, but her heart constantly reminds her that belief is counter to all that she knew and loved about her parents. The novel opens with Alex leaving for Baghdad to serve with Doctors without Borders. Alex is soon declared missing after a car bombing, pushing Lauren further toward collapse. The story grows more complicated when, in Book Two of the novel's five, Sylvia Hall leaves her boyfriend at a Colorado ski resort and heads to her childhood home in New York City. Sylvia is 41 and pregnant, and she is linked to Lauren in a manner which Lauren cannot comprehend. Lauren is a realistic, sympathetic protagonist. Her relationship with her boyfriend and Sylvia's relationship with hers eerily mirrors the relationship of Izaan and Jordan, but that remains symbolic rather than fully explored. Ward writes familiarly of Austin, and of New York City, and her writing, laced with literary prose, moves the narrative forward believably.
A captivating story of loss, forgiveness and ultimate redemption.Pub Date: July 26, 2011
ISBN: 978-0-345-49448-1
Page Count: 272
Publisher: Random House
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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