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A HOUSE IN THE SKY

A MEMOIR

A vivid, gut-wrenching, beautifully written, memorable book.

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With the assistance of New York Times Magazine writer Corbett, Lindhout, who was held hostage in Somalia for more than a year, chronicles her harrowing ordeal and how she found the moral strength to survive.

In 2008, Lindhout, after working as a cocktail waitress to earn travel money, was working as a freelance journalist. In an attempt to jump-start her fledgling career, she planned to spend 10 days in Mogadishu, a “chaotic, anarchic, staggeringly violent city.” She hoped to look beyond the “terror and strife [that] hogged the international headlines” and find “something more hopeful and humane running alongside it.” Although a novice journalist, she was an experienced, self-reliant backpacker who had traveled in Afghanistan and Pakistan. She hired a company to provide security for her and her companion, the Australian photographer Nigel Brennan, but they proved unequal to the task. Their car was waylaid by a gunman, and the group was taken captive and held for ransom. Her abductors demanded $2 million, a sum neither family could raise privately or from their governments. Negotiations played out over 15 months before an agreement for a much smaller sum was reached. The first months of their captivity, until they attempted an escape, were difficult but bearable. Subsequently, they were separated, chained, starved and beaten, and Lindhout was repeatedly raped. Survival was a minute-by-minute struggle not to succumb to despair and attempt suicide. A decision to dedicate her life to humanitarian work should she survive gave meaning to her suffering. As she learned about the lives of her abusers, she struggled to understand their brutality in the context of their ignorance and the violence they had experienced in their short lives. Her guards were young Muslim extremists, but their motive was financial. Theirs was a get-rich scheme that backfired. “Hostage taking is a business, a speculative one,” Lindhout writes, “fed by people like me—the wandering targets, the fish found out of water, the comparatively rich moving against a backdrop of poor.”

A vivid, gut-wrenching, beautifully written, memorable book.

Pub Date: Sept. 10, 2013

ISBN: 978-1-4516-4560-6

Page Count: 384

Publisher: Scribner

Review Posted Online: June 29, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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