For connoisseurs of the Lost Generation—a well-tempered biography of the wealthy American couple who knew absolutely everybody, from Hemingway to Fitzgerald to Dos Passos to Picasso, and so on and on. Though Sara and Gerald Murphy both dabbled in the arts, their true genius was for friendship. As Sara once told F. Scott Fitzgerald: “I don—t think the world is a very nice place—And all there seems to be left to do is to make the best of it while we are here, & be VERY grateful for one’s friends—because they are the best there is, & make up for many another thing that is lacking.” Inherited wealth on both sides gave the Murphys the means and leisure to pursue this credo in style across two continents. They were always willing to help artists on the down and out with quiet gifts of money, but it was their ebullient parties that really cemented their reputation. Archibald MacLeish once wrote, “There was a shrine to life wherever they were . . . a kind of revelation of inherent loveliness.” Others were less kind: Hemingway repaid their friendship with slander in A Movable Feast, and they were the model for the Divers in Fitzgerald’s Tender Is the Night. The marriage had its strains, including possible affairs, and Gerald’s probable homosexuality, but it was strong enough to survive any number of blows, including the death of two Murphy children. A former Viking Penguin executive editor turned writer, Vaill tries to make up for the secondary celebrity status of the Murphys by infusing their lives with a sorrowing Gatsbyesque grandeur. It’s an admirable, but not quite convincing, effort. Still her tale is told so well and so crammed with incident and revealing thumbnail sketches of the Lost Generation (often on their worst behavior), one tends to forget the relative unimportance of the Murphys themselves. (24 pages b&w photos, not seen)
Pub Date: May 29, 1998
ISBN: 0-395-65241-3
Page Count: 480
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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