War, sex, friendship, betrayal, celebrity, rivalry, jealousy, idealism, foolishness and foppery—all this and more gather in...
Vaill (Somewhere: The Life of Jerome Robbins, 2006, etc.) follows a handful of characters (some are celebrities, some not) through the Spanish Civil War.
Subdividing her chapters by months, the author sets herself a difficult task: chasing Ernest Hemingway, Martha Gellhorn, Arturo Barea, Ilsa Kulcsar, Endre Friedmann (aka Robert Capa) and Gerta Pohorylle through the political and military chaos in Spain and elsewhere. Among the many popping up for cameos are Stephen Spender, Eric Blair (George Orwell) and John Dos Passos. Although it will be difficult for readers to turn their eyes away from the power couple (Hemingway and Gellhorn), Vaill does a good job of getting us deeply interested in the lives, experiences and, sadly, the deaths of some of the others. It helps her cause, too, that she elected to portray Hemingway in the most unflattering (and deserved?) light. We see his pettiness and his professional jealousy; we watch him swinging away at people in bars. Early in the conflict, we also see Capa and other photographers staging acting scenes (including, in a way, his famous image of a wounded warrior in midfall on a Spanish hillside) and Gellhorn fabricating a story about a lynching in the American South. It was certainly a different time in journalism. Vaill shows us images of incredible courage—especially Capa’s—and political intrigue (the Russians were especially perfidious—and Stalin’s reeking presence) and the absolute confusion that reigned. (The truth concealed itself quite well.) She also points us toward Hitler, and we witness his invasion of Austria and his designs on Czechoslovakia. A touching epilogue records the deaths of all her principals.
War, sex, friendship, betrayal, celebrity, rivalry, jealousy, idealism, foolishness and foppery—all this and more gather in the lobby of Madrid’s Hotel Florida.Pub Date: April 1, 2014
ISBN: 978-0-374-17299-2
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 3, 2014
Kirkus Reviews Issue: Jan. 15, 2014
BOOK REVIEW
BOOK REVIEW
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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