A well-written account of a life lived under exceptional secrecy and pressure.

LIFE UNDERCOVER

COMING OF AGE IN THE CIA

A journalist recounts her formative years in the CIA.

Fox engagingly—and transparently—describes her work as an undercover agent for the CIA, which recruited the author while she was still in college. “What will happen if I tell the world the truth?” she asks, having returned to civilian life as a young single mother following the dissolution of a marriage that was all but arranged by the agency. Motherhood changed her perspective and priorities, and she now devotes herself to the cause of peace. In her fast-moving debut memoir, she seeks to “spill that most secret of secrets: that all we soldiers and spies, all the belching, booming armored juggernauts of war, all the terror groups and all the rogue states, that we’re all pretending to be fierce because we’re all on fire with fear.” The author’s life was extraordinary even during her childhood, as if she were being raised for a life in espionage. She often went “wild world-wandering” with her father, who consulted with foreign governments on matters she never quite understood. Fox was raised to invent elaborate fantasies to play with her brother, and her world of make-believe intrigue became real to her as she volunteered to aid refugees after high school and became immersed in global affairs during college. She came to the CIA as an idealist, and she found idealism and basic humanity within those who were apparently pitted against her. She also found that she had to keep the reality of her career a secret from everyone, even from family and friends. Throughout much of her remarkable life, secrecy was the norm, but by the time she left the agency, she’d had enough.

A well-written account of a life lived under exceptional secrecy and pressure.

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-65497-1

Page Count: 240

Publisher: Knopf

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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