Some amusing moments but not as clever or observant as it needs to be.
Women's fiction set in the 1950s, with a touch of social consciousness.
In her second novel, Brock (A Fine Imitation, 2016) tells the story of 25-year-old Kitty Tessler, the spoiled, devious daughter of New York hotel magnate Nicholas Tessler. An attractive socialite in the Paris Hilton mode, Kitty leads a carefree existence, shuttling between beauty salons, nightclubs, and fashion shows. Yet she’s not really satisfied and yearns for acceptance in the elite, old-money world epitomized by her good-hearted BFF, Henrietta Bancroft. So Kitty hatches a complicated and fairly implausible scheme to separate Hen from her fiance, the social-register cad Charles Remington, and claim him for herself; the idea is to secure his pedigree and make him miserable at the same time. Meantime, Kitty’s loving father—concerned about her future—virtually commands her to marry Andre, his steady but not-so-exciting second-in-command. Needless to say, things don’t go exactly as anyone planned. The action moves from New York to Miami to pre-revolutionary Cuba, where the visiting Kitty and Hen get a taste of the unrest that will eventually bring Castro to power. It's here that Kitty begins to emerge from her privileged cocoon, thanks to Max, a Jewish bandleader in the Tesslers’ Miami hotel, who opens her eyes to social injustice. The pace of the book quickens during the Havana interlude, which includes scenes set in the real-life Hotel Nacional and other local hot spots. Throughout, though, too much space is devoted to descriptions of cute outfits and lavish decors. And while there’s a tiny hint of Jane Austen in the novel’s romantic intrigue, the characters are mostly one-dimensional, their dialogue stilted. The cheery resolution—with Kitty learning to be proud of her lineage—is never in much doubt.
Some amusing moments but not as clever or observant as it needs to be.Pub Date: June 26, 2018
ISBN: 978-1-5247-6040-3
Page Count: 320
Publisher: Crown
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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