A thoughtful, philosophically rich story that probes a still-open wound.
An exile returns home to a land still torn apart by civil war 25 years afterward.
Think The Big Chill in Beirut with some of the sex but little of the lightheartedness in Jeune Afrique editor-in-chief Maalouf’s charged novel. Adam, whose name, he records in his overflowing notebooks, “encompasses all of nascent humanity, yet I belong to a humanity that is dying,” receives a phone call in Paris, where he has been living since leaving his native Lebanon in a time of conflict. His friend Mourad lies dying, Mourad’s wife tells Adam, and wants to see him before he dies. Adam is reluctant: We haven’t spoken for years, he protests. Nonetheless, he travels home to a place he barely recognizes. Just what drove the two friends apart emerges slowly, and as friends gather to commemorate Mourad’s passing, they wistfully remember a time when, as Adam recalls, “My friends belonged to all denominations and each made it a duty, a point of pride, to mock his own—and then, gently, those of the others.” The gentleness is long past, as an Arab jihadi pointedly tells Adam. For his part, Adam, a historian who is years overdue delivering a commissioned biography of Attila, admits to knowing more about Caesar and Hannibal than about his own circle. He begins to chase down the details of their lives—but, as his partner in Paris chides, “I know you, Adam. You’ll fill hundreds of pages with stories of your friends, but it will all end up mouldering in a drawer.” Those stories are inevitably ones of dreams dashed and new realities substituted for them: a woman with whom he has a fitful affair wanted to become a surgeon but instead winds up as what Adam calls a “chatelaine,” that is, a hotel manager; another, a man of the world, withdraws to a monastery; a third, whose “long curly hair was more white than gray” now, has moved across the world to Brazil; and so on. None is particularly happy—and the story, fittingly, ends on a tragic, uncertain note.
A thoughtful, philosophically rich story that probes a still-open wound.Pub Date: May 12, 2020
ISBN: 978-1-64286-058-0
Page Count: 522
Publisher: World Editions
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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