Low-key yet piercingly empathetic, Forna's latest explores instinct, resilience, and the complexity of human coexistence,...
The paths of two people—an American woman who studies the habits of urban foxes and a Ghanaian man specializing in refugee trauma—cross in London, creating a fork in the road for both.
Shot through with history, biology, and psychiatry, Forna’s (The Hired Man, 2013, etc.) fourth novel is an unusual work that characteristically integrates multiple layers with fluidity. Its central characters are divorced wildlife biologist Jean Turane, in London working for a local council, and noted psychiatrist Attila Asare, a widower, who's arrived to give the keynote speech at a conference. Both have devoted their working lives to interpreting behavior and response, whether human or animal. Jean’s context is the American history of settlement, wolf-hunting, and survival; Attila’s the international geography of war. One accidental encounter on Waterloo Bridge, when Jean runs into Attila while chasing a fox, leads to more time spent together; meanwhile, Attila is searching for two missing family members and trying to help an old lover now afflicted by early-onset Alzheimer’s disease, and Jean is drawn into a metropolitan fox-culling controversy. These far-from-sensational events, spanning some 10 days, are interrupted by more dramatic interludes set in Bosnia, New England, Iraq, and elsewhere, offering glimpses of Jean's and Attila’s pasts: work done, risks taken, pain experienced. Forna’s sensitive novel is nonostentatious yet compelling, and whether writing of Attila’s victims of conflict and terror or Jean’s birds and mammals, she offers wisdom and perspective, which is further extended to the possibility of romance between two questing strangers.
Low-key yet piercingly empathetic, Forna's latest explores instinct, resilience, and the complexity of human coexistence, reaffirming her reputation for exceptional ability and perspective.Pub Date: March 6, 2018
ISBN: 978-0-8021-2755-6
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Jan. 1, 2018
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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