An immersive, moving portrait that steadily gathers intensity, vividness, and surprise.
A quiet, appealing, deceptively ambitious Indian (and Indian American) family saga covering 1935-2020.
The novel looks at the outset like old-fashioned realism: a sympathetic, slowly cumulative account of an “ordinary” life. Jadunath Kunwar is born in a superstitious backwater without electricity. A good student, he’s first in his family to attend college (a highlight is meeting Tenzing Norgay, fresh from summiting Everest). Jadu becomes a modestly successful historian, a husband, father to a daughter. His life’s most dramatic events occur around its edges: his mother’s near-fatal cobra bite during her pregnancy, the theft of his daughter’s dowry by a cutpurse, a brief stretch in jail after a protest. The author’s daring here takes the unusual form of modesty, quiet, calm; few big plot elements arise, and Kumar leaves lots of space for digression, anecdote, observation, and Jadu’s well-meaning mildness. Kumar’s patience—and the reader’s—pays off handsomely, though, when we jump forward to the end of Jadu’s life as seen through his daughter Jugnu’s eyes and grasp the book’s full sweep. The crowning (minor) glory of Jadu’s career is a Fulbright year at Berkeley in 1988. That trip abroad becomes the spur or permission Jugnu needs, after her husband commits a crime and her marriage founders, to settle in the U.S. as a journalist for CNN. The novel follows the father and daughter all the way to the Covid-19 pandemic, and along the way it provides an immersive, poignant portrait both of India over 85 years and of the whipsawing experience of being an Indian citizen of the larger world. But mostly, in the end, it pays tribute to two people who make noticing, attentiveness, and storytelling the central pillars of their lives. Late in the book, Jugnu encapsulates the novel’s premise and ambition when she says, “I believe strongly that we are in touch with a great astonishing mystery when we put honest words down on paper to register a life and to offer witness.”
An immersive, moving portrait that steadily gathers intensity, vividness, and surprise.Pub Date: Feb. 27, 2024
ISBN: 9780593536063
Page Count: 352
Publisher: Knopf
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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