A winning portrait of a woman, and community, in peril.
A woman who’s disappeared from the Appalachian Trail prompts a frenzy.
Gaige’s fifth novel concerns the fate of Valerie Gillis, known on the trail as Sparrow, a 42-year-old woman who’s vanished somewhere in Maine while hiking a notoriously treacherous stretch. Charged with organizing the search is Beverly Miller, a lieutenant in the Maine Warden Service, and she has plenty of help—a small but committed community of volunteers is ready at a moment’s notice to canvass the area. But the clock is ticking: Bev notes that 97% of lost hikers are found in 24 hours, but “the other 3 percent, we know those stories like scripture.” Gaige’s storytelling alternates between writings in Sparrow’s notebooks, chapters from Bev’s perspective, transcripts of warden tip-line messages and interviews (most prominently with Ruben Serrano—trail name Santo—a straight-talking, beefy Bronx denizen who befriended Sparrow on the trail), and chapters told from the perspective of Lena Kucharski, a nursing-home resident following the search online. Gaige’s novel is at its core a mystery, with plenty of leads for Bev to pursue. (Can Sparrow’s husband be trusted? Was Santo overly obsessed with her?) But the novel’s strength is in capturing the way one human disappearance prompts a host of emotions—frustration, desperation, fear, and (especially) paranoia. (One throughline in the novel concerns the ways conspiracy-minded locals wonder about the true intentions of a military training school for troops at risk for capture in combat.) This gives Gaige an opportunity to write in a variety of registers, some more convincing than others—Santo’s tough-but-sensitive patter feels relatively wooden, but Bev’s struggles to continue the search while managing a host of details, as well as misogynist microaggressions, are rich and persuasive. Sparrow herself is a relative mystery, but the emotions she inspires are crystal clear.
A winning portrait of a woman, and community, in peril.Pub Date: April 1, 2025
ISBN: 9781668063606
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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