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HEARTWOOD

A winning portrait of a woman, and community, in peril.

A woman who’s disappeared from the Appalachian Trail prompts a frenzy.

Gaige’s fifth novel concerns the fate of Valerie Gillis, known on the trail as Sparrow, a 42-year-old woman who’s vanished somewhere in Maine while hiking a notoriously treacherous stretch. Charged with organizing the search is Beverly Miller, a lieutenant in the Maine Warden Service, and she has plenty of help—a small but committed community of volunteers is ready at a moment’s notice to canvass the area. But the clock is ticking: Bev notes that 97% of lost hikers are found in 24 hours, but “the other 3 percent, we know those stories like scripture.” Gaige’s storytelling alternates between writings in Sparrow’s notebooks, chapters from Bev’s perspective, transcripts of warden tip-line messages and interviews (most prominently with Ruben Serrano—trail name Santo—a straight-talking, beefy Bronx denizen who befriended Sparrow on the trail), and chapters told from the perspective of Lena Kucharski, a nursing-home resident following the search online. Gaige’s novel is at its core a mystery, with plenty of leads for Bev to pursue. (Can Sparrow’s husband be trusted? Was Santo overly obsessed with her?) But the novel’s strength is in capturing the way one human disappearance prompts a host of emotions—frustration, desperation, fear, and (especially) paranoia. (One throughline in the novel concerns the ways conspiracy-minded locals wonder about the true intentions of a military training school for troops at risk for capture in combat.) This gives Gaige an opportunity to write in a variety of registers, some more convincing than others—Santo’s tough-but-sensitive patter feels relatively wooden, but Bev’s struggles to continue the search while managing a host of details, as well as misogynist microaggressions, are rich and persuasive. Sparrow herself is a relative mystery, but the emotions she inspires are crystal clear.

A winning portrait of a woman, and community, in peril.

Pub Date: April 1, 2025

ISBN: 9781668063606

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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