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THE FOLDED WORLD

Gaige’s off-beat orientation, wit and piercing insights stand up to her first novel, this time in a more sober and less tidy...

An idyllic marriage is tested in this idiosyncratic examination of how the experience of love, its absence and its presence, can shape lives.

Gaige was honored as one of the National Book Foundation’s “5 [exceptional authors] under 35” for her debut, O My Darling (2005). Her second time around again showcases a gift for capturing the simultaneous proximity and distance in a relationship. But this darker story connects the romance of coupledom to the territory of madness. The lovers, Alice and Charlie, are both the products of their upbringings: she, the bookish daughter of a disappointed single mother; he, the likable, talented golden child of “wonderful, clear presences.” Charlie’s ambition—to be “good”—leads him to a career in social work, but his innocent impulses cause problems in his charmed life, which has been further graced by the birth of twin girls. Her husband’s staying at work late leaves Alice lonely and mistrustful, while overstepping professional boundaries imperils both Charlie’s clients and his career. Mania stalks the characters in many forms, some abstract, others tangible. The sense of threat that hangs over the proceedings is fed by Charlie’s grandmother’s premonition of violence, yet in a gathering whirlwind of a conclusion, the author dodges expectations, while reaching grandly for a multiple vision of love and restoration.

Gaige’s off-beat orientation, wit and piercing insights stand up to her first novel, this time in a more sober and less tidy narrative that offers greater breadth in exchange for sweetness.

Pub Date: May 1, 2007

ISBN: 1-59051-248-0

Page Count: 300

Publisher: Other Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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OF MICE AND MEN

Steinbeck is a genius and an original.

Steinbeck refuses to allow himself to be pigeonholed.

This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define.  Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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