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VISITING HOURS

A MEMOIR OF FRIENDSHIP AND MURDER

A gripping and poignant memoir.

A writer and professor’s account of the trauma she suffered in the wake of a murder committed by a close friend.

Defunct magazine editor Butcher (English/Ohio Wesleyan Univ.) met Kevin Schaeffer, the sweet-faced boy who would become her best friend, three days into her freshman year at Gettysburg College. They were kindred spirits who “enjoyed familiarity in all things,” found solace in each other for being social outsiders and knew “absolutely nothing of loss.” Then, less than two months before their graduation in 2009, Kevin suddenly snapped and stabbed to death his ex-girlfriend, Emily Silverstein. Like the rest of Gettysburg, Butcher was stunned. But what she found especially disturbing was that two hours before the murder, a normal-seeming Kevin had walked her home from an evening out. The aftermath of the murder caused chaos in the author’s personal life and relationships, yet she stubbornly refused to abandon her friend when almost everyone else did. Tormented by survivor’s guilt and eventually diagnosed with PTSD, Butcher became obsessed with the incident and with trying to understand the reasons behind her friend’s behavior. She scoured her memories and public documents for clues. What she discovered were dark truths about the nature of their relationship. Kevin was a depressive who had tried to commit suicide during his junior year. When he murdered his girlfriend, it was after he had stopped taking his antidepressants. Butcher had understood Kevin’s impulse toward self-destruction because she had experienced it as a young teen. Yet she had done nothing to help him. Ultimately, the author realized that her distress came from the fact that her best friend’s actions had presented her with a mirror image of her own heart. With equal parts horror and anguish, she understood that “the chain of events that led to Emily’s death [were] events that could happen to any of us.”

A gripping and poignant memoir.

Pub Date: April 7, 2015

ISBN: 978-0-399-17207-6

Page Count: 260

Publisher: Blue Rider Press

Review Posted Online: Dec. 14, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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