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RESURRECTION LILY

An informative and moving recollection, despite some overly precious prose.

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A woman recounts a decision to pre-empt cancer by surgical means.

In 2008, debut author Shainman’s older sister, Jan (whom she affectionately calls “Sista”), was diagnosed with ovarian and uterine cancer. After several rounds of chemotherapy, Sista’s cancers went into remission, but at a later conference on ovarian cancer, she learned she was especially vulnerable to a recurrence. She underwent genetic testing that revealed that she was “BRCA1 positive,” meaning she had a genetic mutation that significantly increased the chances of contracting breast or ovarian cancer. Shainman quickly decided to get tested, as well, and discovered that she also carried the mutation. This presented her with an achingly difficult choice: Should she strategically choose to undergo prophylactic surgical procedures (bilateral mastectomy, breast reconstruction, bilateral salpingo-oophorectomy, and hysterectomy), or take her chances, and avoid elective, risky operations? The author’s remembrance is unconventionally eclectic; she includes correspondence with friends and family, journal entries and text exchanges, and a lengthy discussion of her view that she’s gifted with a type of emotional “telepathy.” She chronicles not only her own struggle and her sister’s plight, but also her husband’s work colleague’s cancer fight. Also, as her family’s historian, she determines that her paternal grandmother, Lillian, certainly died from breast cancer. Shainman’s memoir is poignantly inspirational throughout; she later writes that she eventually became an advocate for BRCA awareness, and even executive-produced a movie about it in 2015 called Pink & Blue. In addition, she provides sensible information about medical due-diligence, especially involving genetic testing. However, her prose can be cutesy at times, as when she sizes up her anchorman husband’s co-worker: “So, this dazzling woman is whom my husband has been hanging out with on the news set in the middle of the night and early morning? Argh!

An informative and moving recollection, despite some overly precious prose.

Pub Date: Dec. 5, 2018

ISBN: 978-1-4808-6708-6

Page Count: 312

Publisher: Archway Publishing

Review Posted Online: May 20, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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