by Amy Chozick ‧ RELEASE DATE: April 24, 2018
Entertaining and informative reading for politics junkies, though not as meaty as Katy Tur’s Unbelievable, reporting on the...
A decade on the campaign trail with Hillary Clinton.
Journalists, especially political journalists, are not supposed to fall in love with their subjects. Chozick, who has covered politics for the Wall Street Journal and the New York Times, has a simple explanation: “Usually by the final stretch, candidate reporters are so brainwashed from living in the bubble that we all believe our horse will win even if the facts say otherwise.” The picture did not resolve until Election Day, but the signs were there: Clinton, whom Chozick covered for years and clearly admires, if critically, never quite got the “common person” meme, the one that allowed Donald Trump to “lick his fingers after eating a bucket of greasy KFC on board his 757 and maintain the aura of the workingman” while portraying Clinton as detached and aloof. As the author writes, there was something to that: For many reasons, Clinton disdained the press, especially the Times, and it took great efforts on the parts of her handlers—who here bear sobriquets like Brown Loafers, Policy Guy, Hired Gun, and Outsider Guy—to get Clinton anywhere near a reporter if she could help it. Chozick’s narrative, stretching over Clinton’s two campaigns, is, like the campaigns themselves, a blend of the fraught and the bland: too many buffets and too much alcohol here, breaking news and critical moments there. One sharp-edged portrait of the candidate comes when Bernie Sanders begins to pummel her in the primaries. “Hillary became sullen….She is pouty,” writes the author, “and aggrieved but not surprised that the media hadn’t given her rightful due.” Still, Chozick closes on a note of admiration for her difficult quarry, “the Hillary who tried to hold it all together—her marriage, her daughter, her career, her gender, her country.”
Entertaining and informative reading for politics junkies, though not as meaty as Katy Tur’s Unbelievable, reporting on the other side.Pub Date: April 24, 2018
ISBN: 978-0-06-241359-8
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: April 26, 2018
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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