by Amy E. Sklansky & illustrated by Karen Dismukes ‧ RELEASE DATE: Aug. 1, 2004
Halloween happenings of the mildly scary sort are the thematic focus of this collection of 21 short poems. Most of the poems rhyme, although a few are non-rhyming, in the style (but not the exact form) of haiku. Many of the poems are excellent; a few have some amateurish rhymes or sing-song rhythm; and one or two need a touch of Halloween magic to come alive. If the quality of the poems is a little uneven, the volume’s polished design and enchanting beaded illustrations maintain a high level of quality and interest throughout. Dismukes exhibits a fine sense of style and graphic design in her jewel-toned fabric collages embellished with buttons and rows of beads. Her Halloween creatures are a delight: Frankenstein, a green-faced witch, a Cyclops, skeletons, spiders, and ghostly trick-or-treaters in costume. A clever black cat with a curly tail makes repeated but slightly altered appearances, sporting tiny matching fangs for a vampire poem and just one eye when the Cyclops comes to call. Kids who enjoy the spooky side of Halloween will find this a treat. (Poetry. 5-8)
Pub Date: Aug. 1, 2004
ISBN: 0-8050-7046-X
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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