Ehrlich’s biography of the noted environmentalist covers much ground, from her early years in Pennsylvania, to research at Woods Hole Marine Laboratory, to Maine and her environmental writings. Carson’s first teacher and greatest friend was her mother, who took walks, studied nature, and read with her. At the Pennsylvania College for Women, Carson found a love of biology to match her passion for writing, and it became her excellent writing that brought the natural world to readers. In The Sea Around Us (1951), readers roamed the beautiful and mysterious ocean worlds. Silent Spring (1962) opened eyes to the poisoning of the planet and launched the modern environmental movement. It’s a lot to cover in a small volume, and young readers may find the text sketchy and disjointed. In several spots, personal feelings or thoughts are attributed to Carson but are undocumented: “her thoughts turning like waves”; “she felt helpless, as lost as the firefly”; “Rachel, who loved the world so much, was frightened and angry.” Such problems mar this lovely tribute to an important writer unknown to the intended young audience. Minor’s watercolor and gouache paintings, with their phosphorescent colors, outshine the text in portraying the beauties of the world—woods, mountains, and coastlines from Cape Cod to Maine. Young readers will love the illustrations and enjoy the true story of a woman of passion and courage. Maybe Carson’s sense of wonder will inspire future environmentalists. (bibliography, epilogue) (Picture book/nonfiction. 5-8)
Pub Date: March 1, 2003
ISBN: 0-15-216227-5
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
``Water is dew. Water is ice and snow.'' No matter what form it takes, seldom has plain old water appeared so colorful as in this rainbow-hued look at rain, dew, snowflakes, clouds, rivers, floods, and seas. Asch celebrates water's many forms with a succinct text and lush paintings done in mostly in softly muted watercolors of aqua, green, rose, blue, and yellow. They look as if they were created with a wet-on-wet technique that makes every hue lightly bleed into its neighbor. Water appears as ribbons of color, one sliding into the other, while objects that are not (in readers' minds) specifically water-like—trees, rocks, roots—are similarly colored. Perhaps the author intends to show water is everything and everything is water, but the concept is not fully realized for this age group. The whole is charming, but more successful as art than science. Though catalogued as nonfiction, this title will be better off in the picture book section. (Picture book/nonfiction. 5-7)
Pub Date: March 1, 1995
ISBN: 0-15-200189-1
Page Count: 32
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 1995
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
