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NINA: ADOLESCENCE

Affecting, but lacking real teeth.

A grieving mother uses her daughter as an artistic muse, complicating and ultimately destroying the girl’s vulnerable adolescence: an achingly straightforward debut set in the Boston suburbs.

Four years ago, four-year-old Jonas Begley drowned in the backyard pond while his mother, Marian, was on the phone and 11-year-old sister Nina wasn't paying attention. Now, in atonement, Nina has offered herself as a subject for Marian’s paintings in order to draw her out of a prolonged depression. Innocuous enough at first, the canvases soon are all nudes, and as Marian works single-mindedly toward her first big show, she fails to recognize the danger of publicly exposing her daughter's fragile, changing 15-year-old body. Henry, Nina's father, objects vigorously; his clashes with Marian about artistic expression endanger their marriage. Nina, on the other hand, grows increasingly confused. Pursued by big-time art critic Leo Beck, her mother's former lover, Nina falls under his sway, both to get back at her manipulative mother and to assert her own sexuality. Hassinger builds her touching drama with a refreshingly undramatic simplicity, as Nina, a ballet dancer, begins to scrutinize her body as others might see it. Her state of painful disembodiment and the oily Beck’s machinations are torturous to witness; unlike Nina, the reader knows what’s coming. Hassinger keeps the story tightly focused on the surviving family of three, whose tenuous structure is threatened by the few outside characters: Beck; Nina’s bold new friend Raissa, who also serves as a potential sexual partner; and a few objectionable folks in the art world. The author is loath to present any of the Begleys, especially Marian, in an unflattering light, a reluctance that lessens the story’s emotional force. The sad outcome to Nina’s plight is hastily smothed over (relegated to “family therapy”) before the reader has a chance to eperience the climax, especialy with regard to a satisfying resolution between Nina and her mother.

Affecting, but lacking real teeth.

Pub Date: June 2, 2003

ISBN: 0-399-15062-5

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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