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CINDERLAND

A MEMOIR

A slim, lyrically evocative memoir.

A haunting debut memoir about the price of keeping secrets in small-town, Rust Belt America.

Mercury, Pennsylvania, had once been a thriving, vigorous city. But when Burns grew up there during the aftermath of “the Steel Apocalypse” that began in the late 1960s, life moved at a “barely detectable” pace. In 1991, the town suddenly emerged from its “waking sleep” to confront the shocking reality that a beloved piano teacher had been fondling his young female students. As a 10-year-old, Burns was one of the victims. Yet she chose to lie about the molestation because in Mercury, “a girl [couldn’t] escape her reputation,” and the seven girls who told the truth had faced devastating consequences. But silence had its own costs. Burns' capacity to love during adolescence became stunted by fear. She could not fully open her heart to a boy because her trust had been violated. Further, love also had the potential to root her to a town that she loved but desperately wanted to escape. Any relationships she did form were with “safe” boys, like those from her church or with those for whom love was a performance, much like the ones she gave on stage in high school drama productions. Her unquiet conscience never let her forget the fellow victims she had betrayed through her silence. In an ironic twist, Burns became one of seven homecoming princesses, girls as pure as new-made steel who had the love and approval of Mercury. But as she discovered, getting everything she wanted was “dirty business.” Only by leaving that world built by coal and iron and now foundering in its own ashes could she begin her process of purification through the written word.

A slim, lyrically evocative memoir.

Pub Date: Oct. 7, 2014

ISBN: 978-0-8070-3703-4

Page Count: 216

Publisher: Beacon Press

Review Posted Online: July 21, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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