A teenage girl is the strong center of a fever-dream story of hidden pasts.
In an Appalachian hamlet, a girl’s world is shattered by the secrets of the adults around her.
Burns’ first book, Cinderland (2014), was a memoir about her childhood in western Pennsylvania. She sets this assured debut novel nearby, in the remote hollers outside the ominously named Trap. It’s a minuscule, poverty-ridden West Virginia town where the dying coal industry still poisons the environment and the moonshiners of the title still make illegal liquor for tradition’s sake. At age 15, Wren Bird, who narrates much of the book, has never been more than a few miles from her family’s cabin. Her father, Briar, is a snake handler, a preacher whose services, held in an abandoned gas station for a shrinking congregation, revolve around him grasping his venomous rattlers and copperheads and raising them skyward while speaking in tongues. Wren tells the reader, “My father obeyed the rituals of snake-handling law, which meant he pretended we still lived in the 1940s instead of the age of the internet.” Called to God when a lightning strike blinded him in one eye as a teen, Briar fell in love with Wren’s mother, Ruby, not long afterward. He’s ruthlessly protective of his wife and daughter, forbidding most outside contact and only grudgingly letting Ruby home-school Wren. Ruby’s closest relationship is not with Briar but with her longtime friend Ivy, who lives down the mountain with her four kids and opioid-addicted husband. As girls, Ruby and Ivy dreamed of escape, but Ruby—also a snake handler’s daughter—married at her father’s command, and restless Ivy married so she wouldn’t have to leave Ruby. As the novel opens, Ivy falls into an open fire, but it seems Briar has worked a miracle when she suffers no grievous injury. That fall, though, sets off a cascade of revelations and rebellions. And Briar’s lethal snakes are this book’s version of Chekhov’s gun—you know they’re going to bite someone. Wren’s engaging, convincing voice leads the reader through her strange world.
A teenage girl is the strong center of a fever-dream story of hidden pasts.Pub Date: May 12, 2020
ISBN: 978-0-525-53364-1
Page Count: 272
Publisher: Riverhead
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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