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ORDERS TO KILL

THE PUTIN REGIME AND POLITICAL MURDER

A vivid, chilling portrait of a Russia grown “scary and unpredictable.”

A scathing indictment of Vladimir Putin’s “police state” that offers compelling evidence of his absolute suppression of any opposition or exposure of the state’s corruption.

Knight (How the Cold War Began: The Igor Gouzenko Affair and the Hunt for Soviet Spies, 2006, etc.) builds a convincing case for high-level Russian ordering of political murders, from liberal Duma member Galina Starovoitova to outspoken journalist Anna Politkovskaya to opposition leader Boris Nemtsov—among many others. The murder of Kremlin opponents has been a robust tradition since czarist times, gaining Bolshevik impetus under Lenin’s Cheka and ferocious momentum under Stalin’s Great Purge and the notorious long arm of the KGB. Though Boris Yeltsin dissolved the KGB, it was reconfigured by political necessity as the FSB, with former KGB lieutenant Putin as director. Knight looks at the so-called siloviki (those running the “power ministries”) as holding not only the power in the country, but the secrets about one another that maintain that power. When these secrets were revealed—e.g., by journalists or brave government officials investigating Russia’s brutal crackdown in Chechnya or the 1999 “apartment bombings”—the victims were marked and murdered Mafia-style, their deaths blamed on “terrorists.” The 2006 death by poison of former KSB officer–turned-whistleblower Alexander Litvinenko in London created an international scandal. However, as shockingly blatant as the death was—polonium 210 was such a rare and lethal substance that it could only have been procured by the FSB—the lack of political pressure on the Putin regime by the U.S. and elsewhere has been puzzling and outrageous. Essentially, Knight astutely asserts, Putin brazenly invites suspicions on Kremlin involvement “as a way to intimidate those who oppose him.” The author also examines the story of the Tsarnaev brothers, who perpetuated the Boston Marathon bombings and had traveled in Russia, and she concludes with the rule of Chechen leader Ramzan Kadyrov, who, on Putin’s direction, has taken the police state to Stalinist proportions.

A vivid, chilling portrait of a Russia grown “scary and unpredictable.”

Pub Date: Sept. 19, 2017

ISBN: 978-1-250-11934-6

Page Count: 384

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 28, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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