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THE OUTRUN

A MEMOIR

An ordinary addiction memoir set in an extraordinary place—worth reading for the descriptions of life on a “beautiful,...

After a decade in London, a troubled woman returns home to a rural island in northern Scotland, hoping to heal.

Liptrot begins with the harrowing details of her birth. When she was just hours old, her mother rode a wheelchair down the runway of an airport and placed her in the lap of her straightjacket-clad father, who was to be airlifted to a mental hospital on the mainland. It’s a fitting introduction to the chronicle of a life plagued with hardship. The author grew up on a farm high on the cliffs of Orkney: “nothing but cliffs and ocean between it and Canada.” Her parents were outsiders from England who had come to the insular island to start anew, and they were an odd pair—an evangelical Christian and a bipolar schizophrenic. Liptrot longed to escape and eventually did, to London. Of course, the pain didn’t disappear; she found herself covering it up with destructive behavior: drugs, alcohol, and meaningless sex. As she writes, “my life was rough and windy and tangled.” Bookstores are packed with countless addiction memoirs, and there are also plenty that see a prodigal son or daughter coming home to slay his or her demons. What makes Liptrot’s book different is the otherworldly setting. When she returned to the Orkneys, she immersed herself in nature, taking long walks around her family’s wind-swept land, early-morning swims in the frigid cold Atlantic Ocean, watching the northern lights from an old theater in the middle of town, and tracking the flocks of birds coming down from the Arctic. Eventually, Liptrot found peace and began to imagine a kind of future she had never before thought possible. She also includes a glossary to define such terms as “haar” (sea fog) and “kirk" (church).

An ordinary addiction memoir set in an extraordinary place—worth reading for the descriptions of life on a “beautiful, barely touched stretch of land.”

Pub Date: April 25, 2017

ISBN: 978-0-393-60896-0

Page Count: 288

Publisher: Norton

Review Posted Online: Feb. 6, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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