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A wise and winning—and polite—memoir and manifesto.

The star of Parks and Recreation shares stories from her adolescence, her star-making tenure at Saturday Night Live and her abiding love of improvisation.

In her debut book, comedian Poehler credits her approach to work to Carol Burnett, who was "funny and versatile and up for anything" and "a benevolent captain" on her eponymous variety show. The author’s successful career proves that collaboration, good manners and gratitude are assets in both business and life. She has written a happy, angst-free memoir with stories told without regret or shame; rather, Poehler provides a series of lessons learned about achieving success through ambition and a resolute spirit. She affectionately recounts her perfect-seeming childhood and adolescence, including making lifelong friends, waiting tables, and living and working in the rough, pre-gentrified Greenwich Village. Poehler is especially grateful to her proud, comical parents and shares their wisdom with readers: "Make sure he's grateful to be with you," "Ask for what you want" and "Always overtip." With benevolent humor, she shares "Obligatory Drug Stories, or Lessons I Learned on Mushrooms" (“I’ve tried most drugs but avoided the BIG BAD ONES”) and explores why ambivalence is an important component of success in a chapter titled “Treat Your Career Like a Bad Boyfriend.” Along with Meredith Walker and Amy Miles, Poehler has created a Web series, "Smart Girls at the Party," to empower and celebrate women and girls who "chang[e] the world by being themselves." The author conveys the ethos of this project in pithy statements and reassurances sprinkled throughout the book in large type—e.g., "If It's Not Funny, You Don't Have To Laugh" and "Everybody Is Scared Most Of The Time." This is not a treacly self-help book or spiritual guide but rather motivation from a hilarious and kindhearted champion.

A wise and winning—and polite—memoir and manifesto.

Pub Date: Oct. 28, 2014

ISBN: 978-0-06-226834-1

Page Count: 352

Publisher: Dey Street/HarperCollins

Review Posted Online: Oct. 5, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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