Sohn deserves recognition for addressing some rather dark issues and for avoiding tidy conclusions, but her story would have...
The author of Run Catch Kiss (1999) gets domesticated.
In the late ‘90s, Sohn turned her romantic misadventures into a regular gig with New York Press and a debut novel. But what does a sex columnist do when she grows up? She gets married, moves to Brooklyn, has a kid and writes all about it, first in New York magazine’s “Mating” and “Breeding” columns and now here. Sohn’s first novel appeared with chick lit’s first wave and earned positive reviews for being smart and edgy. Mommy lit was, in retrospect, the inevitable successor to all those novels about pink cocktails, designer shoes and true love, but Allison Pearson’s I Don’t Know How She Does It, which arrived in the United States in 2002, was the simultaneous genesis and apotheosis of that genre. Sohn’s latest seems more than anything like an attempt to cash in on a trend. The novel follows the intersecting lives of four very different women. Rebecca is a freelance writer with a baby girl and a husband who is basically perfect in every way except that he no longer wants to have sex with his wife. Lizzie’s commitment to attachment parenting may be at least in part a reaction to her ambivalence about her mixed-race child and his mostly absent musician father. Melora is a famous actress with an adopted son and serious problems. Karen is a stay-at-home mom, a real-estate fetishist and a total sociopath. All these women live in Park Slope, and their bemused “only in Park Slope!” observations are the novel’s most annoying feature.
Sohn deserves recognition for addressing some rather dark issues and for avoiding tidy conclusions, but her story would have been significantly more satisfying if she had understood that the phenomena she chronicles, from one-upmomship on the playground to the libido-less marriage, have been well documented beyond the confines of brownstone Brooklyn.Pub Date: Sept. 1, 2009
ISBN: 978-1-4165-7763-7
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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