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WHERE THE PAST BEGINS

A WRITER'S MEMOIR

A composite portrait that should appeal to the author’s fans.

The bestselling author reflects on family, reading, writing, and language in a memoir characterized by “free-form spontaneity.”

After Tan published her last novel (The Valley of Amazement, 2013, etc.), her editor suggested that she compile a volume drawn from some of the thousands of emails she sent him during the time she wrote the book. It would be “easy to pull together,” he said, as well as “compelling” and “insightful.” Fortunately, Tan rejected that idea, although she does include one chapter containing a selection of emails between them, some of which offer glimpses of her writing process. The rest of her uneven memoir consists of “a potluck of topics and tone”: chapters about her response to music, the idea of genius, emotions, her own personality as “unstoppable,” learning to read, and her family. Readers of Tan’s previous fiction and nonfiction will find a familiar character: her mother, a difficult, moody woman who had an indelible influence on the author. “The main problem, as I saw it growing up,” Tan reflects, “is that she was negative in her thinking. She saw falsity in people who were nice. She saw slights in how people treated her.” Bad thoughts festered in her mind until they emerged “in an explosive threat” that blighted Tan’s life. A psychiatrist who knew her mother marveled that Tan didn’t suffer “from a disabling psychiatric disorder as an adult.” But she admits that her childhood experiences made her “intolerant of emotional manipulation.” Tan is forthcoming about various illnesses, especially her treatment for seizures with a medication that left her feeling unusually happy. When a friend suggested she stop taking the mood-altering drug, she resisted: “Whatever the medication had done to my brain, I had become protective of my new sympathetic nervous system friend.” Tan’s candid revelations make much of the book entertaining, but the slight journal entries and short pieces she calls “quirks” read like filler, and many chapters would have benefited from further editing.

A composite portrait that should appeal to the author’s fans.

Pub Date: Oct. 17, 2017

ISBN: 978-0-06-231929-6

Page Count: 400

Publisher: Ecco/HarperCollins

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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