The fourth book in Wilson's Lampitt Papers, an on-going chronicle of 20th-century England and one man's effort to understand a representative life—a life that has become shrouded in intrigue and innuendo. James Petworth Lampitt more or less defined the Edwardian Age as a man of letters, from a distinguished family, who himself was friends with most of the important cultural figures of the time. Julian Ramsay, a successful radio actor, grew up in the shadow of the Lampitts. Orphaned in the war, Julian lived with his uncle Roy, a provincial vicar absolutely obsessed with the Lampitts and their lore. In previous volumes, Julian survives the '40s and '50s as a young man of great promise, one of whose goals is a biography of James ``Jimbo'' Lampitt. Unfortunately, he's beaten to the punch by the genial and oily Raphael Hunter, who claims to have discovered all sorts of sordid secrets about Jimbo. Now, Julian comes closer to the truth about the supposedly telltale Lampitt Papers, at the time in possession of Virgil D. Everett, an American pharmaceuticals tycoon, convinced by Hunter that the papers reveal that Lampitt had sexual peccadilloes much like Everett's. But before Everett takes a long look at his collection, he mysteriously plummets from a Manhattan skyscraper, a death similar to Jimbo's untimely demise. To complicate Julian's researches, he falls in love with his girlfriend's sister, a Catholic beauty married to the hapless Fergus Nolan, a scientist engaged by the Vatican to advise on the birth-control controversy. Julian's unresolved feelings for his dead parents result in a nervous breakdown, but not before venting lots of anti-RC sentiment, much of which Wilson seems to endorse. Nevertheless, Wilson's shrewd take on the late 1960s makes a nice companion to David Lodge's fiction on the Pill, The British Museum is Falling Down. A must for fans of Wilson's Lampitt books, but not the place to begin—much here won't make sense to those unfamiliar with Wilson's grand narrative.
Pub Date: Feb. 1, 1996
ISBN: 0-393-03875-0
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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