South African novelist Brink (Cape of Storms, 1992, etc.) again revisits the past to tell a picaresque tale that is also a heartfelt but clumsy mea culpa. Drawing on sources as varied as Cervantes and period histories, Brink appropriates the bare outlines of French-born Estienne Barbier's life and turns them into a tale weighted with symbolism and myth. The suggestion that Barbier was an ``eighteenth century Cape social bandit'' provides the political and moral heft for a character who otherwise is a liar, a shameless seducer, and self-seeking adventurer. Barbier, awaiting execution for fomenting rebellion and defying local officials, relates his life story in the form of a letter to Rosette, a slave he had helped escape from the Cape. Once the ill-treated property of the odious Allemann family, Rosette is also a mythic storyteller. With the spirit of Joan of Arc and a copy of Don Quixote as his trusty companions, Barbier offers contradictory reasons for his coming to the Cape, but he becomes more credible as he recounts run-ins with the local Dutch authorities, his seductions, and his growing sympathy for the indigenous peoples. Betrayed by friends, with a price on his head, he ventures into the interior searching for Rosette and for the legendary kingdom of Monomatapa, as well as a way to ``break the cycle of hate and vengeance.'' Many of the living and dead he meets forgive him, but others demand punishment. ``It is a terrible via dolorosa, yet I exult. This is my necessary purging on behalf of all of us who have invaded this space to subjugate it with our presumption and visit with our devastation.'' Ready now for death, Barbier remains an unlikely—and unconvincing—voice for reconciliation and contrition. Despite some brilliant moments, the novel is more a creakily schematic reworking of history than a persuasive illumination of South Africa's tangled past. Disappointing.
Pub Date: Aug. 17, 1994
ISBN: 0-316-10884-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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