by Andre Dubus III ‧ RELEASE DATE: Oct. 7, 2013
First-rate fiction by a dazzling talent.
Dubus anatomizes personal—especially sexual—relationships brilliantly in these loosely concatenated novellas.
At the center of the characters’ world are the small, economically depressed towns in Massachusetts where waiters, waitresses, bartenders and bankers live and move and have their being. To Dubus’ credit, he doesn’t feel he has to solve their personal problems and the intricate twists of their relationships. Instead, he chronicles what’s going on with sympathy but without any sense that he needs to rescue them. In the first narrative, we meet hapless Mark Welch, who’s recently found out his wife, Laura, is having an affair with a banker. Although occasionally picking up and hefting a piece of lead pipe, Mark ultimately finds himself powerless to change the circumstances of his life. In the second story, we follow Marla, a physically unprepossessing bank teller (yes, she works at the same bank as Laura’s lover) who feels her life slipping away from her. She begins a desultory affair with a 37-year-old engineer whose passions tend toward video games and keeping his house pathologically clean. The next story introduces us to Robert Doucette, bartender and poet manqué, who marries Althea, a sweet but reticent upholsterer. In the final months of Althea’s pregnancy, Robert has hot sex with Jackie, a waitress at the restaurant, and Althea finds this out and simultaneously goes into labor. The final narrative focuses on Devon, an 18-year-old waitress at the tavern where Robert works. To get away from an abusive father, she lives with a considerate great uncle (who harbors his own secrets), but she has to deal with the unintended consequences of an untoward sexual act that was disseminated through social media.
First-rate fiction by a dazzling talent.Pub Date: Oct. 7, 2013
ISBN: 978-0-393-06465-0
Page Count: 320
Publisher: Norton
Review Posted Online: March 30, 2013
Kirkus Reviews Issue: April 15, 2013
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PROFILES
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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