Better than 1995’s Elvenblood but far from over.
Norton and Lackey add to their swelling, long-gestated epic fantasy begun with The Elvenbane (1991). A friendly dragon rescues the red-haired half-blood child Shana, abandoned daughter of Elf-Lord Dyran and his star-crossed concubine Serina Daeth, and raises her among her own brood. Later, Shana is cast out as being too powerful a sorcerer and is captured by the Iron People but, assisted by the fleeing brother and sister Lorryn and Rena, she overthrows Jamal, War Chief of the Iron People, and even breaks the power of the Elvenlords, cruel oppressors of dragons and human-elven half-bloods. Now dissension visits the Elvenlords. When V’kel Lyon Lord Kyndreth complains to his Elvenlords council that the Young Lords’ Rebellion is bleeding the kingdom, he worries as well that the “errant children” may decide to ally with the Elvenbane and her wizards and dragons. Meanwhile, V’kel Aelmarkiner-Lord Tornal allies himself with the disgraced but vicious and acidulous Triana, Lord of the Falcion holdings, to unseat his cousin, Lord Kyndreth. All may be politics among the Elvenlords, but Kyrtian V’dyll Lord Prastaran cares nothing for politics. His power is economic, for his farms feed and clothe the Lords of the Council. Even so, he finds himself caught in a feud between Great Lords.
Better than 1995’s Elvenblood but far from over.Pub Date: Oct. 1, 2002
ISBN: 0-312-86456-6
Page Count: 384
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
A mixed bag of stories: some tired but several capable of poetically piercing the heart.
Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.
Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.
A mixed bag of stories: some tired but several capable of poetically piercing the heart.Pub Date: Feb. 25, 2020
ISBN: 978-1-982134-03-7
Page Count: 432
Publisher: Saga/Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK TO SCREEN
PERSPECTIVES
Lovely: a fairy tale for grown-ups, both partaking in and departing from a rich literary tradition.
A lyrical, allusive (and elusive) voyage into the mists of British folklore by renowned novelist Ishiguro (Never Let Me Go, 2005, etc.).
There be giants buried beneath the earth—and also the ancient kings of Britain, Arthur among them. Ishiguro’s tale opens not on such a declaration but instead on a hushed tone; an old man has been remembering days gone by, and the images he conjures, punctuated by visions of a woman with flowing red hair, may be truthful or a troubling dream. Axl dare not ask his neighbors, fellow residents of a hillside and bogside burrow, for help remembering, “[f]or in this community, the past was rarely discussed.” With his wife, who bears the suggestive if un-Arthurian name Beatrice, the old man sets off on a quest in search of the past and of people forgotten. As it unfolds, Axl finds himself in the company of such stalwarts as a warrior named Wistan, who is himself given to saying such things as “[t]he trees and moorland here, the sky itself seem to tug at some lost memory,” and eventually Sir Gawain himself. The premise of a nation made up of amnesiac people longing for meaning is beguiling, and while it opens itself to heavy-handed treatment, Ishiguro is a master of subtlety; as with Never Let Me Go, he allows a detail to slip out here, another there, until we are finally aware of the facts of the matter, horrible though they may be. By the time the she-dragon named Querig enters the picture, the reader will already well know that we’re in Tolkien-ish territory—but Tolkien by way of P.D. James, with deep studies in character and allegory layered onto the narrative. And heaps of poetry, too, even as forgetfulness resolves as a species of PTSD: “I was but a young knight then….Did you not all grow old in a time of peace? So leave us to go our way without insults at our back.”
Lovely: a fairy tale for grown-ups, both partaking in and departing from a rich literary tradition.Pub Date: March 3, 2015
ISBN: 978-0-307-27103-7
Page Count: 320
Publisher: Knopf
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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