A good introduction to an important pathfinder among women naturalists.
D’Aquino distills the life of ornithologist and activist Florence Merriam Bailey.
The narrative highlights salient moments in Bailey’s childhood: a summerlong camping trip with her father and brother; learning about stars and planets with her astronomer mother. Through elision and metaphor, D’Aquino links bird song to Bailey’s awakening consciousness: “She had the feeling they had something important to tell her.” Bailey’s activism was sharpened by the global decimation of bird species to supply the Euro-American millinery trade’s insatiable appetite for the bodies and plumage of birds. “People thought wearing birds on hats looked beautiful. To Bailey, those hats were the ugliest things she had ever seen.” Modernist collage illustrations contrast grayscale with bright color to emphasize nature’s paramount beauty and importance. Thus, two fashionable women, portrayed in black-and-white garb against a painted gray background, wear elaborate hats composed of colorful plumage and bird corpses. (D’Aquino sidesteps patriarchy’s profiteering role in the trend, for which women alone were pilloried.) Bailey’s tools for quiet observation of live birds—a camera, notebook, pencils, binoculars, and ears—are depicted; 10 common birds accompany their phonetic song-snippets. Other spreads distort perspective, stylize form, and celebrate the collage medium for itself, with torn-paper confetti representing leaves and clouds. Bailey herself is a paper-white cutout in patterned blue-and-white clothing, visually linked to birds and sky.
A good introduction to an important pathfinder among women naturalists. (biographical note, birds in crisis, resources) (Informational picture book. 5-8)Pub Date: Oct. 12, 2021
ISBN: 978-1-64896-050-5
Page Count: 38
Publisher: Princeton Architectural Press
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
Enticing and eco-friendly.
Why and how to make a rain garden.
Having watched through their classroom window as a “rooftop-rushing, gutter-gushing” downpour sloppily flooded their streets and playground, several racially diverse young children follow their tan-skinned teacher outside to lay out a shallow drainage ditch beneath their school’s downspout, which leads to a patch of ground, where they plant flowers (“native ones with tough, thick roots,” Schaub specifies) to absorb the “mucky runoff” and, in time, draw butterflies and other wildlife. The author follows up her lilting rhyme with more detailed explanations of a rain garden’s function and construction, including a chart to help determine how deep to make the rain garden and a properly cautionary note about locating a site’s buried utility lines before starting to dig; she concludes with a set of leads to online information sources. Gómez goes more for visual appeal than realism. In her scenes, a group of smiling, round-headed, very small children in rain gear industriously lay large stones along a winding border with little apparent effort; nevertheless, her images of the little ones planting generic flowers that are tall and lush just a page turn later do make the outdoorsy project look like fun.
Enticing and eco-friendly. (Picture book. 5-7)Pub Date: March 12, 2024
ISBN: 9781324052357
Page Count: 32
Publisher: Norton Young Readers
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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