A loving and forceful reminder that Keats’ Peter is our Peter—always.

A POEM FOR PETER

THE STORY OF EZRA JACK KEATS AND THE CREATION OF THE SNOWY DAY

A love letter to the man who gave readers the beautiful and enduring image of a black boy in a red hooded snowsuit.

Pinkney, an African-American Brooklynite and a child of the 1960s, uses free verse to tell the story of the son of Jewish immigrants from Poland who settled in Brooklyn. Jacob Ezra Katz attended local schools, served in the Army during World War II, and loved to draw. He famously saw a series of photographs in Life magazine of a little black child and saved them for many years until the creation of A Snowy Day, which was awarded the Caldecott Medal in 1963. Katz, who changed his name to Keats to avoid anti-Semitism, went on to feature Peter, that “brown-sugar boy in a blanket of white,” in several more ever popular stories. Fancher and Johnson’s collage art is a homage to Keats’, re-creating images from his books and fashioning scenes of Keats’ own Brooklyn neighborhood. Those who love Peter (and who does not?) will relish the illustrations, particularly that of Keats holding hands with Peter under a snow-dappled tree. More to the point, Pinkney lets readers know what Peter meant and still means as a milestone in inclusive children’s literature. “He brought a world of white / suddenly alive with color.”

A loving and forceful reminder that Keats’ Peter is our Peter—always. (author’s notes, Keats bibliography, resources, photographs) (Picture book/poetry/biography. 6-10)

Pub Date: Nov. 1, 2016

ISBN: 978-0-425-28768-2

Page Count: 60

Publisher: Viking

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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A picture book worth reading about a historical figure worth remembering.

THE AMAZING AGE OF JOHN ROY LYNCH

An honestly told biography of an important politician whose name every American should know.

Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.

A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)

Pub Date: April 1, 2015

ISBN: 978-0-8028-5379-0

Page Count: 50

Publisher: Eerdmans

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 7, 2021

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