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I’M THE ONE WHO GOT AWAY

A MEMOIR

A stunning series of recollections with a feminist slant.

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An essayist pens an ode to womanhood in this debut memoir.

When the young, single mother who lived across the street from Jarrell was murdered, it triggered insecurities about her own upbringing: “It was her aloneness. That old, familiar, just-we-two aloneness I couldn’t bear to see up close again.” The author was raised by her mother, with periodic appearances from her handsome father, a charismatic yet manipulative man they called Nick. Her mother wed Nick at age 16. Jarrell recounts tales about their early relationship, “his jealousy and her bruises,” with a sense of dread. Once the author was born, her mother saved up enough money to leave her father, leading to a series of childhood stories linked by the inherent danger of inhabiting a female body—from Jarrell seeing a woman get harassed by three adolescent boys to Nick voicing his disturbing opinions about “good girls.” Later, in the author’s adult relationships, she took great pains to avoid her mother’s mistakes. Still, she found herself shacking up in Santa Fe, New Mexico, with Wes, a dead-end boyfriend who was not completely unlike Nick, and learning to cope with her husband Brad’s imperfections. What shines in these autobiographical essays is Jarrell’s rendering of her mother, an honest examination of this capable, desirable, and well-traveled woman who was nonetheless unable to resist Nick’s pull. Their mother-daughter relationship is more poignant than any love story (in one stirring vignette, the two crammed into a tiny single bed on vacation because they couldn’t bear to sleep in separate rooms) and similarly fraught with complications. These difficulties included Jarrell’s disgust when her mother repeatedly succumbed to Nick’s charms. The author has published essays in the New York Times and the Huffington Post, and her skill is evident in her deliberate prose. Regarding her father’s infidelity, she simply writes about her parents: “Twice he’d told her to go to the doctor to see if he’d given her gonorrhea.” Though the settings of Jarrell’s stories range from Camden, Maine, to Italy and Los Angeles, the author’s small-town Americana tone is reminiscent of Joyce Carol Oates. The work’s lasting message is that love, like Jarrell’s prose, is both painful and beautiful.

A stunning series of recollections with a feminist slant.

Pub Date: Sept. 5, 2017

ISBN: 978-1-63152-260-4

Page Count: 176

Publisher: She Writes Press

Review Posted Online: Aug. 8, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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