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PAUL TAKES THE FORM OF A MORTAL GIRL

This is groundbreaking, shape- and genre-shifting work from a daring writer; a fresh novel that elevates questions of sexual...

A magical, sexual, and hopeful debut novel about transcending boundaries of gender to pursue emotional connection.

Lawlor (Position Papers, 2016) writes of Paul, a shape-shifter tending bar in a college town in the mid-1990s. Paul can change his gender and appearance at will and does so as he navigates in and out of various pockets of academia and queer culture. Paul is drawn to the act of attraction; he “relied on his ability to attract only the sorts of attention he desired,” and he shifts his form as a way of constantly challenging himself to connect with more people. Paul wants access to as many circles and bodies as possible. Lawlor’s prose is taut, self-aware, and carnal. As Paul tests his “own nascent malleability,” the author explores appearance, attraction, sexuality, and identity. Paul’s youthful exuberance and thirst for hookups are foils to his persistent feelings of isolation. The book is divided into several parts, most notably shifting when a visit to a Michigan Womyn’s Music Festival leads Paul (as a woman) to both a great love, Diane, and a confrontation with his own reasons for seeking sex. “What was sex, but newness?” he asks himself. Eventually Paul has to decide on the level of intimacy he desires; specifically, who he wants to tell about his body. This suggests that intimacy is knowledge of an identity that transcends the corporeal form. Dispersed throughout the story are short chapters with the feel of legends, each fable hinting at issues of gender. In the final third of the novel, Paul moves to the Bay Area, tests the limits of his ability to hold a form, and does his most mature self-examination.

This is groundbreaking, shape- and genre-shifting work from a daring writer; a fresh novel that elevates questions of sexual identity and intimacy.

Pub Date: Nov. 1, 2017

ISBN: 978-0-9860869-9-1

Page Count: 388

Publisher: Rescue Press

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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