Schenkel's second novel, a No. 1 seller in Germany, takes leave from mainstream crime fiction with its merciless depiction...

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ICE COLD

A killer/rapist is on the loose in late-1930s Munich, which even without him is not a good time or place for an attractive young woman from a distant village to come looking for work.

The woman, Kathie, is hoping to get a job as a maid for a wealthy family, but a friend encourages her to look for a man who can buy her nice things instead. Needing a place to stay—in these tough times, the most anyone can offer is a couch, and even that is frequently taken—she ends up sleeping in a room above a bar with a blond stranger. Thus begins her life of prostitution—a brief life, as it turns out. Through the narratives of other victims, court testimonies, and interrogations of the killer (all presented in different typefaces), the reader is transported to a grim, affectless place. Even bicycle rides down winding lanes and trips to the countryside are joyless activities. The rapist, a Nazi whose increasingly gruesome acts will be erased from public record by image-sensitive authorities, is frighteningly bland; except when he's cutting up dead bodies, it's as if he's already been erased himself. German author Schenkel, whose first novel, The Murder Farm, earned comparisons to In Cold Blood, draws readers in slowly with her extremely dispassionate style. As the oddities escalate—one scene has Kathie move robotically from one bed to another and back to service two men—the book acquires a numbing power. Those who believe fiction needs sympathetic characters to involve the reader will meet their match in Schenkel.

Schenkel's second novel, a No. 1 seller in Germany, takes leave from mainstream crime fiction with its merciless depiction of a rapist killer and his victims.

Pub Date: June 2, 2015

ISBN: 978-1-62365-720-8

Page Count: 186

Publisher: Quercus

Review Posted Online: March 20, 2015

Kirkus Reviews Issue: April 1, 2015

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE MIDNIGHT CLUB

Patterson's thrillers (Virgin, 1980; Black Market, 1986) have plummeted in quality since his promising debut in The Thomas Berryman Number (1976)—with this latest being the sorriest yet: a clanky and witless policer about a criminal mastermind and the cop sworn to take him down. Aside from watching sympathetic homicide dick John ("Stef") Stefanovich comeing to terms with a wheelchair-bound life—legacy of a shotgun blast to the back by drug-and-gun-running archfiend Alexandre St.-Germain—the major interest here lies in marvelling at the author's trashing of fiction convention. The whopper comes early: although St.-Germain is explicity described as being machine-gunned to death by three vigilante cops in a swank brothel (". . .a submachine gun blast nearly ripped off the head of Alexandre St.-Germain"; "The mobster's head and most of his neck had been savaged by the machine-gun volley. The body looked desecrated. . ."), before you know it this latter-day Moriarty is stepping unscathed out of an airplane. What gives? Authorial cheating, that's what—thinly glossed over with some mumbling later on about a "body double." Not that St.-Germain's ersatz death generated much suspense anyway, with subsequent action focusing on, among other items, the gory killings of assorted mob bosses by one of the vigilante cops, and Stef's viewing of pornographic tapes confiscated from that brothel. But readers generous enough to plod on will get to read about the newly Lazarus-ized St.-Germain's crass efforts to revitalize and consolidate the world's crime syndicates ("the Midnight Club"), Stef's predictable tumble for a sexy true-crime writer, and how (isn't one miracle enough for Patterson?) at book's end Stef walks again and gets to embrace a rogue cop who's murdered several people. Ironsides with a badge and a lobotomy.

Pub Date: Jan. 23, 1988

ISBN: 0446676411

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Oct. 3, 2011

Kirkus Reviews Issue: Jan. 1, 1988

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