The pleasure of this novel lies in Rothman’s sincere, straightforward, unpretentious prose wracked with the loneliness of...
A debut novel by a scientist that makes the lab feel like a real place, not clueless stage dressing.
Emily Apell, a bioinformatician fresh out of graduate school, has taken a job in a neuroscience lab at a famous research university in Manhattan overlooking the East River. She’s hoping to discover a “pathfinder gene” that guides neurons to their targets in the olfactory bulb, connecting the brain to the input it needs to create the sensation of smell. (Before writing her novel, Rothman herself was a postdoc and research associate studying the neurobiology of olfaction at Rockefeller University.) Emily’s boss likes to pit his postdocs and researchers against one another while forcing them to collaborate. She and a co-worker find themselves drawn together in a confusion of attraction and rivalry that feels like fate. In this cutthroat world of elite neuroscience, Emily must choose between work and love. But why? New York’s a big place. Why not find a nice, calm web developer or language arts teacher or dentist who will support her passionate commitment to her career instead of sabotaging it? Or, better yet, a good therapist who can help her let go of her notion that she’s incapable of love and recognize assholes when she meets them? Sadly, Rothman doesn’t provide Emily with anything so sensible. What she does provide are a vivid sense of place and a well-paced, intelligently constructed story. And if readers may sometimes feel like shaking a little sense into her characters, well, isn’t that also true of many of the great romantics of literature (looking at you, Heathcliff and Juliet) as well as—face it—a fair number of one’s own friends?
The pleasure of this novel lies in Rothman’s sincere, straightforward, unpretentious prose wracked with the loneliness of young love.Pub Date: March 12, 2019
ISBN: 978-0-06-285781-1
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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