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1973 NERVOUS BREAKDOWN

WATERGATE, WARHOL, AND THE BIRTH OF POST-SIXTIES AMERICA

A smart if somewhat disjointed blend of social history and cultural criticism, far truer to the time than David Frum’s...

As those who were there know, 1973 wasn’t just about platforms and the Bay City Rollers.

It was much weirder than all that, as Killen (History/City College of New York) chronicles, arguing that the year was a watershed during which the countercultural glories of the ’60s crashed into the autism of the ’70s, which would unfold in the reactionary ’80s. Killen eschews firsthand memories, so he may not have been around to observe the weirdness up close, but he gamely re-creates the time; his opening montage of the death of baseball great Roberto Clemente, the opening of DFW and the hijacking rage is lovely. Whether 1973 was really a watershed is debatable, and Killen wisely brackets events with glimpses of ’72 and ’74, but he makes interesting connections along the way. It’s not news that An American Family, starring Lance Loud and his unhappy kin, was the first reality show; it is news to learn that Loud, no mere documentary subject, was playing to the camera in ways that he had learned from Andy Warhol—and not just from studying The Factory from afar, but from having corresponded with Warhol directly. (Those precocious teenagers of teenage-centric 1973!) The birth of media addiction aside, Killen makes a winning case, too, for seeing 1973 as a harbinger of our times in the matter of belief, charting the rise not just of Me Decade cults such as est but also of fundamentalist Christianity and offshoots such as the Children of God and the Moonies. There are a few false notes along the way (for one, the New York Dolls were never really popular, even in New York), but the author does a good job overall of keeping his narrative on track with his thesis, which should make no one nostalgic for the time of the SLA and dawning disco.

A smart if somewhat disjointed blend of social history and cultural criticism, far truer to the time than David Frum’s tsk-tsking How We Got Here (2000).

Pub Date: April 4, 2006

ISBN: 1-59691-059-3

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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