Conquering fears, helping others, and perhaps a message about wild animals and human garbage—though almost wordless, this...
Minimal text and retro illustrations tell the parallel tales of a young boy and a bear cub.
Using only nine different words, Poulin’s text repeats for both the boy, on a camping trip with his mother, and the bear cub: “He’s a little scared” shows the boy on a limb that stretches out over the water, his mother waiting below with outstretched arms. On another spread, the words are illustrated with a bear cub on a similar limb above a dumpster. Following pages show the boy and his mother in their campsite and the cub inside the dumpster; both offspring are eating. Then the boy gets a chore: biking the trash over to the dumpster. “He’s very scared” shows the boy furiously pedaling away from the mother bear, who’s next to the dumpster where her cub is trapped. The humans return to the dumpster together and place a log inside so the cub can climb out. “No longer scared,” mom and son roast marshmallows under the moon, and the bears cuddle together. Joffre’s artwork, which appears to be paper collage, visually fills in the rest of the story, and readers can pore over the pages, which teem with details. The colors and style (especially the giant racing stripes on the mustard-colored pickup) lend the whole thing a retro feel that suits. Mother and son present white.
Conquering fears, helping others, and perhaps a message about wild animals and human garbage—though almost wordless, this book certainly says a lot. (Picture book. 3-8)Pub Date: March 15, 2019
ISBN: 978-1-77147-365-1
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
A light dose of natural history, with occasional “EWWW!” for flavor
Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.
The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”
A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)Pub Date: July 5, 2016
ISBN: 978-1-77049-667-5
Page Count: 32
Publisher: Tundra Books
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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