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THE MONKEY LINK

A brilliant, richly allusive novel from the acclaimed Russian writer (Pushkin House, 1987, etc.), chronicling a search for the soul of a man and his country. Written over the last decade and ending with the 1991 coup, the three tales that comprise this novel present three way stations on the narrator's pilgrimage and reflect the enormous political changes taking place in Russia. A series of encounters in settings lush with spiritual and historical associations enable the protagonist to explore humanity's purpose, its relationship with God and other animals, and the ethical state of Russia. The journey begins, in ``Birds or the Catechesis of Man,'' at Russia's most western point, a spit of land that juts into the Baltic Sea, with the narrator raising queries about the environment and the role of atomic power with a scientist working at a nearby research station where birds are studied. In ``Man in a Landscape,'' set somewhere outside Moscow, he debates with a painter who asserts that ``the world was completely ready when man appeared in it. Man created nothing...didn't create art, either.'' On the shores of the Black Sea, in ``Awaiting Monkeys,'' he meets up again with the scientist and the painter, works as a literary critic, acts in a movie, and then, moving back and forth between Moscow and the Black Sea shore during the Gorbachev years, on the day of the coup experiences a consoling epiphany: an army of angels in the air who ``smelled of the fire of their tireless battle'' for Russia. The title refers to an experiment in ``keeping monkeys in uncongenial climatic zones under almost congenial natural conditions. In other words, free.'' As the narrator ironically observes, ``the monkey is free in Russia, under socialism! We're not free but the monkey is.'' A quintessentially Russian pilgrim's progress, infused with fierce intellectual energy, searing irony, and an anguished love for a long-suffering country and its people.

Pub Date: March 1, 1995

ISBN: 0-374-10578-2

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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