Clements (Who Owns the Cow?, p. 944, etc.) pens a tale for consummate cat enthusiasts or lovers of antiquity: a feline's not- too-arduous search for love. The setting, in the ancient city of Neba, lends an exotic quality to the tale: The cat is lord of a temple, and is weary of being pampered and followed around by servants. He longs to escape the restrictive temple atmosphere; one day he does, finding happiness in the arms of two children. The story lacks suspense and ends almost abruptly, but readers will appreciate the clash between the royal treatment the cat receives and his own less complicated desires. The words have a nice, simple ring, while the sand-colored paintings skillfully evoke the Egyptian world. Kiesler, working in an utterly realistic style, employs a subtle visual shift in characterization as the protagonist transforms from a religious icon to an ordinary house cat. (Picture book. 5-8)
Pub Date: Feb. 20, 1996
ISBN: 0-395-69842-1
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 1995
Categories: CHILDREN'S HISTORICAL FICTION
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With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.
In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.
A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)Pub Date: Feb. 1, 2014
ISBN: 978-0-7613-6589-1
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Oct. 9, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Categories: CHILDREN'S HISTORICAL FICTION
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 1, 1995
Categories: CHILDREN'S HISTORICAL FICTION
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