Kaufman’s enticing invitation may well persuade readers to finally dive into one of the world’s most acclaimed—and...
At 1,500 pages, with a cast of nearly 600 characters, the book Henry James called a “loose baggy monster” looms as an intimidating project. But Kaufman (Literature/Univ. of Virginia; Understanding Tolstoy, 2011, etc.) thinks reading it is worth the effort: “Times are tough, anxiety and fear are pervasive, and people are searching for answers to questions big and small.”
If this seems an apt description of our own times, it also describes Russia between 1805 and 1812, the setting for Tolstoy’s epic, as well as the 1860s, when he wrote the book, revealing his continual quest for personal and philosophical enlightenment. Kaufman looks to the novel for guidance, “not so much a set of answers to life’s every challenge as an attitude toward living.” To that end, he focuses on a dozen themes: plans, imagination, rupture, success, idealism, happiness, love, family, courage, death, perseverance and truth. In each chapter, Kaufman analyzes how the novel speaks to those themes, offers insights into Tolstoy’s life “of extremes and contradictions,” provides relevant Russian history, and shares personal anecdotes about his own “tumultuous, spiritual journey.” Besides War and Peace, Kaufman refers to some of Tolstoy’s shorter fiction, which he teaches in a course titled Books Behind Bars: Life, Literature, and Leadership. All of Tolstoy’s works, Kaufman contends, deal with big questions: “Who am I? Why am I here? How should I live?” His students, young men incarcerated in a juvenile correctional center, find the readings startlingly relevant—not surprising since Kaufman makes Tolstoy’s characters lively and palpable: free-spirited, tender Natasha; “wide-eyed” Pierre; “coddled young” Nikolai; “the handsome, maleficent rake” Dolohkov. Readers will even find a guide to pronunciation of their names in a helpful appendix.
Kaufman’s enticing invitation may well persuade readers to finally dive into one of the world’s most acclaimed—and daunting—novels.Pub Date: May 20, 2014
ISBN: 978-1-4516-4470-8
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: March 15, 2014
Kirkus Reviews Issue: April 1, 2014
BOOK REVIEW
PROFILES
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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