Today’s kids might not know the name of Daniel Boone (or what a coonskin cap is), but this original tall tale explains why Boone wore that distinctive hat as a boy, and why he stopped wearing it, too. Glass (The Sweetwater Run: The Story of Buffalo Bill and the Pony Express, 1996, etc.) has crafted another original tall tale in his series of self-illustrated picture books for older readers that each describe an exciting fictionalized event in the younger days of an American folk hero. In this well-written tale full of frontier-flavored expressions, young Daniel Boone is growing up as a Quaker boy in Pennsylvania with a Delaware Native American companion who helps Daniel become an accomplished woodsman at a young age. On one of Boone’s solo rambles through the forest, he is surprised by an enormous “malodorous” bear who takes off with the coonskin cap (which was probably quite malodorous as well!). Daniel tracks the bear until he is chased by a group of Native Americans who shoot arrows at him and throw a tomahawk or two, terrifying the young Boone. Alert readers will notice that they are carrying Daniel’s cap, trying to return it to him. In the best tall-tale tradition, Daniel leaps off a cliff, swims down a river, and hides in a log with a raccoon family (the reason for giving up the coonskin cap), before finding his way back home after being “bewildered for three days.” Glass’s glowing full-page and double-page illustrations in colored pencil and oil pastels capture Daniel’s boisterous nature and action-packed adventures, but some will object to the rather stereotypical portrayal of the Native Americans in both art and text. An author’s note includes extensive information on the sources and research for the story; a bibliography and map of key sites are also included. (Picture book. 6-10)
Pub Date: Sept. 15, 2000
ISBN: 0-8234-1446-9
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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