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BEWILDERED FOR THREE DAYS

AS TO WHY DANIEL BOONE NEVER WORE HIS COONSKIN CAP

Today’s kids might not know the name of Daniel Boone (or what a coonskin cap is), but this original tall tale explains why Boone wore that distinctive hat as a boy, and why he stopped wearing it, too. Glass (The Sweetwater Run: The Story of Buffalo Bill and the Pony Express, 1996, etc.) has crafted another original tall tale in his series of self-illustrated picture books for older readers that each describe an exciting fictionalized event in the younger days of an American folk hero. In this well-written tale full of frontier-flavored expressions, young Daniel Boone is growing up as a Quaker boy in Pennsylvania with a Delaware Native American companion who helps Daniel become an accomplished woodsman at a young age. On one of Boone’s solo rambles through the forest, he is surprised by an enormous “malodorous” bear who takes off with the coonskin cap (which was probably quite malodorous as well!). Daniel tracks the bear until he is chased by a group of Native Americans who shoot arrows at him and throw a tomahawk or two, terrifying the young Boone. Alert readers will notice that they are carrying Daniel’s cap, trying to return it to him. In the best tall-tale tradition, Daniel leaps off a cliff, swims down a river, and hides in a log with a raccoon family (the reason for giving up the coonskin cap), before finding his way back home after being “bewildered for three days.” Glass’s glowing full-page and double-page illustrations in colored pencil and oil pastels capture Daniel’s boisterous nature and action-packed adventures, but some will object to the rather stereotypical portrayal of the Native Americans in both art and text. An author’s note includes extensive information on the sources and research for the story; a bibliography and map of key sites are also included. (Picture book. 6-10)

Pub Date: Sept. 15, 2000

ISBN: 0-8234-1446-9

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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KEENA FORD AND THE FIELD TRIP MIX-UP

Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)

Pub Date: July 1, 2009

ISBN: 978-0-8037-3264-3

Page Count: 112

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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