A writer to watch.
Patterned on Ulysses, crammed with an entire liberal arts education, this debut’s vast ambition goes up against Conn’s obvious and genuine talent: against all odds, talent wins.
Benjamin Seymour is in depressive stasis, not quite sleepwalking through an often wonderfully detailed New York City, as he mourns and longs for his lost dead love, Penelope, a love documented in the many pornographic films they made together, she as star, he both in front of and behind the camera. Related in a variety of formal tricks, the novel gives us the real magic of first love, set in a mythic Ithaca, where they both attended Cornell, and a loving history of American porn (inevitably reminiscent of Boogie Nights), culminating in Benjamin's mentor, friend, and Quilty figure, Milton Minegold, a heroic, pathetic, scary Al Goldstein type (Conn includes a number of recognizable satirized figures). While Benjamin's focus on the scatological and masturbatory is not for the squeamish, he's a winning character, a genuine good sort, and when he meets lawyer Katherine Welland, an erotic urge turns into chivalry and he goes on a quest to find her runaway daughter, nine-year-old Finn, as precocious as a Glass but as charming as Eloise, and herself a heroic figure, struggling with incipient adult understandings of the world. Together, Finn and Benjamin go on a transformative metaphorical journey that brings everyone home, Finn to her mother, Benjamin to her mother's bed, and the reader to the Molly Bloom climax. Despite sometimes precious, self-congratulatory prose, smart but easy puns (“The child was jung but not easily freudened”), and a brittle stylistic cleverness (the centerpiece here is a 110-page screenplay of a surreal musical fantasia starting in the Times Square Disney store and continuing through stygian subways), Conn sends us on an engaging, entertaining, funny, and moving trip.
A writer to watch.Pub Date: June 1, 2003
ISBN: 1-887128-55-7
Page Count: 372
Publisher: Soft Skull Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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