An interrogation of the nature of truth, virtue, and reality, cloaked as a page-turning novel of escalating crises.
A former NPR personality and his Danish wife have their lives upended by a summer in Copenhagen.
Reuben is canceled. Dismissed unceremoniously from his job on public radio after having been caught in flagrante delicto with his wife during a work Zoom, he’s now a stay-at-home dad in Brooklyn. (“Reuben had become a victim as only a man could, refusing himself everything until his dignity had been returned, intact.”) His wife, Cecilie, has a stellar career of her own as a New York Times reporter, but when she finally has a chance to take maternity leave, she can’t wait to pack up Reuben and their baby, Arne, and head to her mother’s home near Copenhagen. Upon being reunited with her group of friends—all journalists—Cecilie learns that one, her former boyfriend Jonas, has been diagnosed with a serious neurological disorder. It becomes her mission to convince him to undergo a potentially life-saving, but risky, treatment. Meanwhile, Reuben falls under the powerful sway of another, the charismatic Mikkel. Reuben becomes obsessed with the notion that Mikkel represents the opposite of everything ailing the American man: “authentic,” unapologetic, decisive. When Mikkel takes Reuben under his wing, it will have surprisingly far-reaching consequences. With his third novel, Lipstein has created a kind of trilogy of young New York men in ethically dubious circumstances, mostly of their own making. (This time, though, the novel contains a dual point-of-view from both Reuben and Cecilie, broadening the palette.) One of Lipstein’s gifts is his slipperiness—just as the reader feels a character’s foibles are being mocked or even pitied, the target shapeshifts, the moral questions twisting and dissolving. If this all sounds like abstract philosophical fun, don’t worry: Lipstein knows his way around a plot.
An interrogation of the nature of truth, virtue, and reality, cloaked as a page-turning novel of escalating crises.Pub Date: Jan. 21, 2025
ISBN: 9780374613358
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 11, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
