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A QUIET AMERICAN

THE SECRET WAR OF VARIAN FRY

A dramatic story, well told, of an authentic hero who has been rightly dubbed “America’s Oskar Schindler.”

The stirring story of an American journalist who, working in Vichy France, helped thousands of artists and intellectuals, including Hannah Arendt, Heinrich Mann and Marc Chagall, escape Nazi persecution.

Little in Varian Fry’s early background suggested that he would become a heroic rescuer of refugees. An only child from a privileged background, Fry grew up a spoiled, somewhat arrogant hypochondriac aesthete, and intellectual. But in one of the jobs he drifted through after graduating from Harvard, Fry witnessed the beatings of Jews in Berlin and, as a result, tried to awaken readers to the growing Nazi menace. After France fell to Hitler in June 1940, Fry, his wife, and others helped organize an Emergency Rescue Committee dedicated to saving intellectuals and others trapped in France. It’s at this point that Marino’s (Herschel: The Boy Who Started World War II, 1997) narrative, previously largely a biography of an interesting but obscure intellectual, turns into an account that reads like spy fiction. Fry arrived in Marseilles and founded the Centre Americain de Secours, ostensibly dedicated to legal charitable activities but really devoted to the rescue, by illegal means, of intellectuals in danger of persecution by the Nazis. Aided by an unlikely combination of expatriate liberals, Communists, intellectuals, and members of French criminal organizations, Fry helped approximately 2,000 writers, artists, and scientists (and others, including escaped British prisoners of war) escape across the Pyrenees into Spain, using false documents procured by Fry. Despite increasingly sinister harassment by Vichy’s Fascist regime and the Gestapo, sniping by isolationist State Department officials, unwanted publicity by some of the refugees, and diminishing support by pusillanimous or jealous colleagues in New York, Fry continued his secret work until August 1941, when he was expelled from France. He died in 1967.

A dramatic story, well told, of an authentic hero who has been rightly dubbed “America’s Oskar Schindler.”

Pub Date: Aug. 24, 1999

ISBN: 0-312-20356-X

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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