I DON'T BELIEVE IT, ARCHIE!

Some are born to mayhem (Ivy + Bean come to mind), some achieve mayhem (Dav Pilkey's George and Harold)—and then there’s Archie. Whenever he walks out the door (usually on an errand for his long-suffering mother) mayhem awaits, ready to thrust itself upon him.

Wildly improbable, exciting events attach themselves to Archie every single day. Luckily, Archie has Cyd on his side, the girl he rescues from a rogue piano and, later, a giant heap of gravel. Realizing the thrilling life her new friend leads, Cyd begs to be included in future adventures and quickly proves her worth. When Archie find himself glued to the library doors, Cyd fetches her nurse mum while Archie fortuitously foils a plan to replace the library with a parking lot. Sharply observant Cyd is on hand to explain when he’s mistaken for a kidnapping victim and when he’s accused of robbery that’s really the work of Big Barry Bolan and Fergus O’Donnell. (These very Irish names among a cast of mostly unnamed adults strike the book’s only sour note.) Hannah Shaw’s cheery illustrations deftly document the chaos (as in Katie Davies’ Anna and Suzanne books, Shaw’s gift for conveying feline moods is on display) and disapproving adults who invariably misunderstand what’s happening. A winning American debut from this well-established winner of England’s Whitbread Award. (Fiction.7-10)

 

Pub Date: March 13, 2012

ISBN: 978-0-385-75250-3

Page Count: 128

Publisher: David Fickling/Random

Review Posted Online: Jan. 4, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic.

STICKS AND STONES

Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.

After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)

Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)

Pub Date: Oct. 6, 2020

ISBN: 978-1-5344-2622-1

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Sweetly low-key and totally accessible.

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  • New York Times Bestseller

  • Newbery Honor Book

THE YEAR OF BILLY MILLER

Billy Miller’s second-grade year is quietly spectacular in a wonderfully ordinary way.

Billy’s year begins with his worry over the lump on his head, a souvenir of a dramatic summer fall onto concrete: Will he be up to the challenges his new teacher promises in her letter to students? Quickly overshadowing that worry, however, is a diplomatic crisis over whether he has somehow offended Ms. Silver on the first day of school. Four sections—Teacher, Father, Sister and Mother—offer different and essential focal points for Billy’s life, allowing both him and readers to explore several varieties of creative endeavor, small adventures, and, especially, both challenges and successful problem-solving. The wonderfully self-possessed Sal, his 3-year-old sister, is to Billy much as Ramona is to Beezus, but without the same level of tension. Her pillowcase full of the plush yellow whales she calls the Drop Sisters (Raindrop, Gumdrop, etc.) is a memorable prop. Henkes offers what he so often does in these longer works for children: a sense that experiences don’t have to be extraordinary to be important and dramatic. Billy’s slightly dreamy interior life isn’t filled with either angst or boisterous silliness—rather, the moments that appear in these stories are clarifying bits of the universal larger puzzle of growing up, changing and understanding the world. Small, precise black-and-white drawings punctuate and decorate the pages.

Sweetly low-key and totally accessible. (Fiction. 7-10)

Pub Date: Sept. 17, 2013

ISBN: 978-0-06-226812-9

Page Count: 240

Publisher: Greenwillow Books

Review Posted Online: April 24, 2013

Kirkus Reviews Issue: July 15, 2013

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