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Cynicism

THE NEW RULES OF ECONOMICS

An entertaining, cynical critique of cynicism, mostly worth reading for its comedy and brevity.

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A brief indictment of what debut author and illustrator Stevenson sees as the global economy’s endemic corruption.

Judging by the current U.S. election season, we’re living in an age of extraordinary discontent, especially regarding the state of the economy. Populist outrage isn’t merely the consequence of economic stagnation or a deficit of opportunity, but also due to an increasingly widespread perception that the system is fatally rigged to benefit a few at the expense of the many. Stevenson offers a tutorial on the history of evolving crookedness from the perspective of “a ranking member of the cynical elite,” essentially confessing to his own complicity in producing inequitability. The confessor divides economic history into four periods: feudalism, mercantilism, capitalism, and cynicism. In the first stage, he says, regnant kings composed the rules without any other aim than the satisfaction of their own interests. However, this enraged the business community, which eventually revolted and rewrote the rules in order to benefit themselves; this period Stevenson calls mercantilism. The success of mercantilism and the expansion of key markets, he says, led to capitalism, featuring rules written to provide crucial advantages to private enterprise. However, even though this system, at least in its original incarnation, ended up producing a more expansive roster of winners, many were still disenfranchised, Stevenson notes. Out of capitalism, he continues, comes the current age, cynicism, in which a surfeit of capital and the fear of dimming prospects inspired the robber barons of business to rewrite the rules yet again. Much of the book is devoted to candidly explaining these new rules, which amount to various kinds of mountebankery, rhetorical manipulation, and exploitation. The whole work also features cartoonish, consistently hilarious illustrations. The book is dotted with cheeky, wryly delivered advice, sure to please readers whether they share the author’s cynicism or not: “Remember kid, if you borrow enough money it’s the lender that has the problem.” However, this short, unremittingly (and admittedly) pessimistic book provides nothing new or particularly rigorous for readers interested in understanding our current economic doldrums; it’s more a complaint than a lesson. It’s a very funny complaint, delivered with style, but one without nuance or disciplined scrupulousness.

An entertaining, cynical critique of cynicism, mostly worth reading for its comedy and brevity.

Pub Date: April 25, 2016

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: May 28, 2016

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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