by Andrew Stevenson ‧ RELEASE DATE: N/A
A wicked and witty work.
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A sardonic spoof of business books that lambasts the superrich.
In this cleverly structured, darkly humorous book, portfolio manager/investment banker Stevenson (Cynicism, 2016) writes from a first-person perspective, as if he’s a billionaire candidly revealing his worldview. The resulting mock “handbook” begins with an overview of what he calls “The Old Rules.” In it, the narrator breaks economic history into three main periods: Mercantilism, Capitalism, and Cynicism—the latter of which, he says, is the “new economic system” that has replaced capitalism. Thirty “New Rules” of the post-capitalistic economy follow, each of which Stevenson outlines in biting, satirical text. For example, Rule 15 says that “a CEO’s value is measured by how much of their company’s cash they can get away with transferring into my bank account,” while Rule 22 proclaims, “if you pay someone enough you can always get the answer you are looking for.” Each of the rules, just a few paragraphs long, follows a similarly humorous path. The second part of the book is even darker in tone, as the narrator claims that the 2008 financial meltdown allowed billionaires to tap into “newfound fear and anxiety”: “Then we elected one of our own the President of the United States, and before you knew it, we were right back on track.” (An accompanying illustration shows a Donald Trump–like figure on a throne.) The narrator then proceeds to deliver 25 more rules that take aim at current issues and beliefs with uproarious cynicism. The author addresses health care, immigration, “fake news,” and other topics, depicting billionaires as narcissistic, hardhearted, and morally corrupt. One rule, for instance, advises that “empathy is the enemy of ‘the people’ and by ‘the people’ I mean rich people,” while another observes that “a shrinking middle class is great for lowering your company’s wage bills.” The book’s closing section, “A Few Years Later,” offers readers a novel contrast; in it, the billionaire narrator has retired and has decided that he’d like to be remembered as “The Greatest American of the 21st Century.” The 20 rules that he puts forth at this point reflect the actions of a more compassionate, philanthropic, and socially conscious person; ironically, however, he offers these rules solely in a personal bid for immortality. Overall, there are several elements that make this parody stand out. The voice of the narrator, for one, is spot-on, brilliantly portraying a self-involved and exceedingly callous caricature of a modern-day magnate. Despite occasional grammatical errors, the text is consistently cunning and merciless, and it’s made all the more effective by the inclusion of vibrant, colorful illustrations that cleverly reinforce the content throughout. The last section of the book shrewdly presents what American society could possibly be like if the people in it followed moral tenets of justice and fair play. Overall, this is a tour de farce that offers an unrelentingly amoral, profit-driven characterization of a billionaire, and as with all potent satires, the author’s words hit the mark more often than not.
A wicked and witty work.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Kurti Publishing
Review Posted Online: Dec. 8, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
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written and illustrated by Andrew Stevenson
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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