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A MEAL OBSERVED

Has the same flair and expert pacing as the meal. (11 illustrations)

A highly companionable evening spent with Todhunter (Dangerous Games, 2000, etc.) and his wife at the great Parisian eatery Taillevent, where the conversational flow complements the dinner to a T.

As a magazine writer, the author has always taken a hands-on approach, whether the subject was sea-kayaking jumbo waves or swimming under the ice of a winter pond. The same applies here: he spent three months as an apprentice at one of the world’s great restaurants—on familiar ground, in a way, since the kitchen’s breakneck pace, open fire, and ultrasharp knives may well qualify this work as an extreme sport. But Todhunter doesn’t simply recount his days as an apprentice; he frames the story as a meal, with each course setting off digressions to here and there: the history of watercress in French cooking, a guide to cheese shops in Paris, the quality of a sorbet made from frozen champagne. Todhunter is wonderfully enthusiastic about their meal—“Closely read, a good menu is an onslaught,” he writes. “Each word or phrase . . . thumps and shudders like a depth charge in the animal mind”—but guilty, too: “There is something more than a little vulgar about all this, of course, something shameful. . . . Yet here I sit, engorged and exultant.” Forgivable, for this will likely be a one-time event for the one-step-ahead-of-the-taxman author. And we thank him too: for the use of French that fits snugly into the narrative like the flooring of apple slices in a tarte tatin; for the fascinating information on how to boil a pigeon head and how chocolate resembles wine; for keeping a sense of humor amid all the perfection. When the maitre d’ takes a big slug from their expensive demi of wine (a precaution so clients don’t get a mouthful of bad wine), Todhunter gulps: “Some taste, I think, suppressing my alarm. The guy just tossed back fifty francs.”

Has the same flair and expert pacing as the meal. (11 illustrations)

Pub Date: Feb. 18, 2004

ISBN: 0-375-41085-6

Page Count: 192

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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